
Tripping in the Alligator Preserve
by Adriana Beltrano
Prehistoric cold-blooded things
glide through water like big S’s.
You’re realizing everything is a film.
Reptile hips sway. Algae moves on its own,
green dots on swamp-water’s surface
swirl and shimmer beyond you.
Single-cells bloom like mold,
deflower into gator ridge floating by.
Monet’s lily ponds. Van Gogh’s
dead ear. Floating, softly, like a rowboat.
You brought your friends here.
You’ve fucked them both.
You might as well have huffed paint.
They can’t stop flapping about
the sun-bathing alligators,
any god they can put a pointed face to.
You hold the wooden boardwalk’s guardrails
while you’re coming up
like it’s all you have. Falling.
This feels like an ending.
Something is going to shift,
and, soon, the interior will change,
but not now. Now,
beggars can’t be choosers, as the boardwalk
cannot be hard gator back, as the gator
cannot be soft larva, as your vision
allows everything under the sun
to warp like a sheet of foil. Now,
the alligators’ scales are rippling
in the early-summer sun, sandhill cranes
click their ancient songs, and your lovers
are asking if you’d like to go back to the car,
go see the Buddhist sanctuary
and trip under a gazebo for a change.
Adriana Beltrano is a poet from Jupiter, Florida. She was named a 2024-25 Jake Adam York Prize finalist and is pursuing her MFA in poetry at Johns Hopkins University, where she is an assistant editor of the Hopkins Review. Her work is forthcoming in the South Carolina Review and Little Patuxent Review.