Fincastle Farm Fence Elegy
by Cory Crouser
After Wendell Berry
Tracks pinch at gates
he said
and I have seen it, too, here
at this sun-cast farm
two bright tracts of field laze
into a naked crease
of dirt: an old tube gate
goes crooked on its hinge
some flagship year before I'm born,
falls open of a steady wind,
falls wide,
sticks its hard bent knee into
a stiff-set pat of clay
for good, so far as I can tell,
and so the cattle enter through,
that simple breed who
animate this farm. It seems
a dog I have not seen
or sequence
basic to this spill of grass
notions out a day
in fall
perhaps
when pasture still is ripe
or is in fact becoming
ripe in iron red tournament of fall
to drive the cattle to that gate
of gates
whose courage or whose
perfect fear, which are the
same, reeks out from them in blood-
soured sweat: some
sixteen dozen head per year to
face the steaming bolt,
one fated set
descended from the rest
before
all
born unto this ancient slant of earth
as us
in spit and gut-wrought
wail
to live
as if to live
but know it all our hapless lives
twitching off the constant wind,
gasping uphill
that they return,
and so return
down, black hooves hatcheting
the blood-
red
clay
in tracks
like strands of net
he said
gathered up in fist of gate
down
to that far-flung gate
of tubes
which pipe the never-ending wind
as song
and enter through
in fall.
On the other side of the gate I see no tracks and no one in the field which inclines toward the road. The fields are dead. The farm is dead. All remnant color is gone from the grass. Tonight, the leftover dungheaps will freeze. Tomorrow maybe it will snow.
When I started out this afternoon on chores, senseless work to distract from the disappearance of the cattle, Emily was in the bathtub watching a show on her computer. She had dragged in the piano bench to set her laptop on. Perhaps she's still there, although it's been a while, listening to the cold wind breach the house.
(In separate rooms we have seen it inch the doors. We clutch ourselves. The cold cuts in.)
Out here it is cold. The sun has set and there is nothing else to do. The gate still will not budge. My tools are dull and my hands are stiff with cold. I have been cursing the wind to the wind. My mouth is cold. What else is there to do. Emily is in the bath, skin of her face pink. I curse away. I go and kiss her hair.
Beyond the gate is death.
I will live within these moments of my life.
Cory Crouser (he/him) holds an MFA in Creative Writing from Hollins University in Roanoke, Virginia. His work, which frequently explores questions of humankind's relationship to the natural landscape, has appeared in Empyrean, CavanKerry, and Hare's Paw. He live in a very old cabin on a modest number of acres in Virginia's Blue Ridge Mountains with his wife, Emily, and cat, Toaster.