Chestnut
by Sam Moe
Close — like the back of a red mare right
before a hungry mouth kick, you know time
is almost up because your mother has turned off
the music, the barn is quiet, the farm is silly-
green and swallowing sheep’s blood, but
you’re captivated by his back walking into
the sun, his hands working at the reins, other
than feeling all wrong and stomach-sick, you’re
fine, your jaw can’t contort anymore, yet
you still eat, you start to forget about choking,
you might even forgive your father, but he doesn’t
remember your existence, perhaps that would
be useless, anyways, back to the back of his
jacket, a man who reminds you of a father as
he’s always weeping, leaving, removing maggots
from infected hooves, there is love all over his
body but none of it is for you, there is a wolf
waiting for him at the edge of the forest with
teeth like heaven, you called to him and received
a wave but no turn around, the field behind
your body is a field lit from the sun, bruised
hues, so many people grabbed you in the mouth,
this is a memory so why can’t he stay, this dream
is barely in ruins, you promise to forget the men /
the house / the box / each time / well water / drain
of blood, come back with an axe, come back with
the right names stuffed in a satchel, the way you
know you’ll never see his eyes again, so swing
low at him like a vulnerable and cold girl alone
in the snow-covered woods, it’s like please give
me a little gentleness, please don’t go, but
if you must, leave the horse.
Sam Moe is the author of Cicatrizing the Daughters (FlowerSong Press, Winter 2024), Grief Birds (BS Lit, 2023), Heart Weeds (Alien Buddha Press 2022), and the chapbook Animal Heart (Harvard Square Press 2024). Her short story collection, I Might Trust You is forthcoming from Experiments in Fiction (Winter 2024). She has been accepted to the Sewanee Writers’ Conference (2024) and received fellowships from the Longleaf Writer’s Conference and the Key West Literary Seminar, and Château d’Orquevaux